Recordings of other devices used in previous versions of Channelling are played through a 'new' collection of  salvaged devices so now the sounds of devices malfunctioning are causing further reactions and disruptions.

Available here

Various components salvaged from obsolete consumer technology are reanimated by piping amplified sound through them. The mechanisms respond to these sound impulses in erratic and unpredictable ways.

Available here and here

A project exploring the sounds of fermentation kindly supported by and in collaboration with Milena Farioli and OVNI, Fribourg, Switzerland, September 2022.

Available here and here

Reconfigured material recorded during the development of "Channelling" live performances through 2021 and 2022. Full album will be released by Flag Day Recordings in late 2023.

Available here

A collection of recordings documenting combinations of kinetic sound works developed during a residency at Ferme-Asile, Sion, Switzerland in 2021, plus a recording of all 10 works in the edition 'Concealed Errors'.

Available here

A sequel and a response to "InTolerance". It is a personal reaction to the global pandemic and its wide-reaching effects through suffering, fear, misinformation as much as confinement and curfews. Staged and chance activities. Meticulous constructions. Static scenes. Abandoned sites. Interrupted signals. Severed connections. Energy transmitted, translated, received. Locations were revisited retrospectively, introspectively, their whereabouts unimportant.

Available here

Composed from the development of Double Deck during the residency at Atelier Expérimental, Clans, France. A mechanism for playing two cassettes was reversed, adapted, prepared and then activated by collected sounds of water in the village.

Available here

While at Arc Artist Residency in Switzerland in March 2016 Whetham was joined by Francisco Meirino and Gregory Büttner and they made improvised sessions in the unique setting of the medieval building, subsequently dividing the recordings of the sessions, using them as material to craft the pieces that form "The Arc Sessions".
Available here

Commissioned by subnet, Salzburg, Austria for Schmiede20 Festival, September-October 2020.

A liquid cooling system for a computer was explored as a sound source for performance and installation.

Available here

A collection of detailed images from the project series Traceable Echoes was published by Grimaces Éditions with an accompanying disc containing the source sounds or recordings of the processes that made the work.

Available here

Composed from sounds sourced and generated for performances at GreenLightDistrict Festival, Telemark, Norway and Reservoir Festival, Black Forest, Germany.

Available here

Composed from performance recordings during a tour in 2018 through Lituania, Italy and Germany.

Available here

Composed from recordings sessions using a modified double casstte player mechanism. Alcove 04 is a split release with ớt and their track 'Solanaceae', Available here

Collaboration with Leo Okagawa. Artists exchanged recordings and unknown concepts to compose and recompose the tracks. Available here

A combination of rehearsal and source recordings for cancelled performances.Recorded and reworked from 17th-21st March 2020, Marseille, France. Available here

Commissioned by Yarmonics 2020, UK to develop video and audio piece from found objects and site recordings. Materials sent to Marseille. Available here

Collaboration with Rebecca Sharp.

Part deep-mapping, part wayward archaeology; exploration of ruins in Fife, Scotland with sound and text. Available here

Composition began in 2013 during Tsonami Festival, Chile. Sound material from Valparaíso, mainly in ex-carcel and from performance using gaol doors. Available here

Works composed from performance recordings and their source materials. Performances commissioned by Tsonami Festival XI , Valparaíso, Chile, December 2017. Available here

Mechanism, magnetism, friction, rotation, failure, repetition, fragility, ephemerality... these keywords instigated a composition process that became 'Open and Closed Circles'. Available here

Recorded and composed from 2014-2017. Materials gathered in various worldwide locations. Many borders crossed, communities welcomed by, moments shared, ideas exchanged. Available here

March 2016, Arc Artist Residency, Switzerland. The grand piano in the studio space needed special attention. To preserve the wood of the instrument and prevent it from drying out, it required ‘watering’. Available here

Executed at Villa Waldberta, Feldafing, Germany, 2014. The long, slow, drawn out death of an electret microphone capsule submerged in water...

Available here

Composed from sounds of twine contact on objects showing witness marks of twine production from the 19th Century. 'Trace Evidence' is the result of a commission by OSR Projects, UK. Available here

3rd release in 'Corollaries' monthly series of 2016, compiling works resulting from Active Crossover: Mooste. All works composed from material compiled in a collective archive during the project. Available here

Source material generated, destroyed and captured October-November 2013, Agder Kunstsenter, Kristiansand, Norway. Available here

Composed 2012/revised 2016 from sound material gathered during Active Crossover 2011. Supported by 'I Love West Leeds' festival and Arts Council England. Available here

Composed from recordings of installation and performative actions at Artist Residency TEMI, Daejeon, Korea.

Available here

Compositions combine sound materials collected from 13 countries throughout 2012. Available here

Commissioned composition in response to photography by Stefano Gentile. Currently unavailable.

Collaboration with Christine Schörkhuber. Three chapters composed from improvised recording sessions at Villa Waldberta, Feldafing, Germany. Available here

Tonal work resulting from Alvin Lucier-inspired investigations of clay burial urns at Universidad de Antioquia, Medellín, Colombia. Available here

Guitar and field recordings from Jachenau, Germany. Material recorded at Villa Waldberta, Germany 2014.

Available here

Recomposition of performance piece commissioned by McNeill Street Pumping Station New Music Festival 2011, Shreveport, USA. Available here

Collaboration with Slavek Kwi - Source material: field recordings - Brazil, Ireland, England.

Available here

Performance and installation with found objects and field recordings, Campos De Gutierrez, Medellin, Colombia. Available here

Source material: sounds of Lisbon, Portugal.

Available here

Particular scenes and situations from each of the 13 countries visited through 2012. Available here

'The Phoenix' track on split EP with Brokn Chip.

Source material: recordings from Phoenix Island, Vietnam.

Available here

Split release with David Vélez - Source material: field recordings - Amazonas, Colombia, 2011. Available here

Performance recordings with found objects - Pro Cathedral, Bristol, UK. Available here

Special world tour edition limited to 100 copies.

Currently unavailable

Source material: field recordings - 'The Mall' shopping centre, Bristol, UK. Available here

Source material: field recordings/hydrophone recordings - Manorbier, Wales. Available here

Digital reissue of commissioned work for Kathryn Thomas Ltd. for painting exhibition. Source material: music samples, field recordings, transmissions. Available here

Source material: field recordings from Valley Taurion, France, recorded by Cedric Peyronnet. Available here

Source material: field recordings - Edinburgh, Scotland.

Currently unavailable

Source material: field recordings - St. Philips, Bristol, UK.

Available here

Source material: field recordings and radio transmissions - Krakow, Poland. Available here

Collaboration with visual artist Hugo Olim, commissioned by MadeiraDig Festival 2010, Madeira Island, Portugal.

Available here

Reconstructions of 'Lightyears' featuring: Simon Whetham, Fourm, Richard Lainhart, Philippe Petit, mise_en_scene, Maile Colbert, Scanner, Christopher McFall, David Wells, Iris Garrelfs, Yann Novak, Lawrence English & John Kannenberg.

Information here

Source material: field recordings - Estonia and Riga.

Currently unavailable

Collaboration with Paul Khimasia Morgan. Source material: field recordings and objects - Grey Area Gallery, Brighton, UK.

Currently unavailable

Live collaboration with Paul Khimasia Morgan. Source material: field recordings & objects - Sanctuary, Brighton, UK.

Available here

Recording of Rebecca Joy Sharp improvising on harp with dawn chorus, Sefton Park, Liverpool, UK.

Available here

Collaboration with mise_en_scene (Shay Nassi). Source material: field recordings - Berlin, Germany - recorded by Simon Whetham. Currently unavailable

Simon Whetham & VA: features pieces by all artists involved in first iteration of Active Crossover project.

Information and piece available here

Source material: field recordings - Cumberland Basin, Bristol, UK. Available here

Live performance recording, Grey Area Gallery, Brighton, UK. Available here

Source material: field recordings - Iceland.

Available here

Source material: Performance and field recordings - Tallinn, Estonia. Available here

Commission for Collision Festival 2007. Source material: field recordings - Peckham Library, London, UK. Available here

Commissioned by Kathryn Thomas Ltd. for painting exhibition. Source material: music samples, field recordings, transmissions.

Currently unavailable

Source material: field recordings - Thailand.

Available here

Source material: field recordings of water in all forms in Mongolia. Available here

Source material: field recordings - Lake Mamori, Amazonas, Brazil during the Amazonas Sound Project 2007.

Currently unavailable

Source material: field recordings - Iceland.

Available here

Source material: field recordings - Iceland - reissue of 2006 Filament release.

Available here

Source material: field recordings of cablecars, Portes du Soleil, France. Currently unavailable

Source material: field recordings - Iceland.

Currently unavailable